Now installed in over 10,000 of the highest end home theaters world-wide, Panamorph conversion lenses work with internal modes of today's most popular home theater projectors to activate millions of unused black bar pixels - filling cinema-format projection screens with up to 30% higher brightness and detail and even expanding the image as needed for the biggest, best big-screen experience possible when watching movies, streaming, sports and gaming. All lens models are $5,995 USD MSRP other than DCR+XM2 and CDR+XM2 which are $8,995 USD MSRP. Lenses are available through projector-manufacturer-authorized local resellers of compatible projectors.
ST AND SST SHORT THROW LENSES. These new horizontal expansion lenses are currently in pre-production for regular availability by the end of June.
LENS SELECTOR. Bright green throw distance zones provide slightly higher clarity than other zones. If two lens models are recommended then both will perform equally - the larger lens is sometimes chosen for potentially greater compatibility with future projectors, although this is not guaranteed. Contact Panamorph for lens models compatible with older Sony 4K models such as VPL-295/695/715/885/915/995/1015.
GEOMETRIC DISTORTION. Residual geometric distortion shown in the Lens Selector Image Geometry estimator (for a flat screen) is a result of prioritizing maximum image quality. This distortion will decrease with longer throw distances and smaller screens. Zooming the image up to mask off edge distortion will significantly reduce its visibility.
SCREENS. Borders should ideally be a minimum of 3.5” (88mm) to mask edge distortion and content aspect ratio variations. The 2.35:1 cinema format was replaced by the 2.4:1 cinema format in 1972. Some additional screen border masking may be needed to fully fit 2.4:1 content on a 2.35:1 screen. A 2.25:1 screen is only selectable for Sony 16:9 projectors. Currently available from Stewart Filmscreen and Seymour Screen Excellence, a 2.25:1 screen may be more optimum for an overall blend of movies, streaming, sports and gaming (see Viewing Modes after the projector model and a 2.25:1 screen are entered in the Lens Selector).
PROJECTOR ORIENTATION. The projector should be ideally mounted horizontally +/- 3” from screen center and at a height equal to or slightly above the top of the screen image for best geometry (for more details see the lens model manual).
OLDER LENS PRODUCTS. Older UH480 and DC1 lens models (ie prior to 2015) are not recommended for today’s true 4K (and higher) projectors. Panamorph does not manufacture supporting hardware to mount older lens models and transports.
Projector Model
Screen
Recommended Lens Model
Projector: Image:
Throw Distance
Screen Diag Screen Width Screen Height
Image Geometry
Projection Throw Ratio
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The following viewing modes and projector settings are typical for most content to best fill a cinema-format screen when using the projector model and screen format selected in the Lens Selector. Other modes may be available with each projector. Treat the content as having a lower aspect ratio if optional language subtitles are desired.
JVC and Sony Projectors with a DCR lens and a 2.4:1 Cinema Format Screen
2.4:1 Movies and Streaming
Sony: Set "Anamorphic Lens" to 1.24x and "Aspect" to V-Stretch.
JVC: Set "Anamorphic Lens" to Anamorphic C.
2.0:1 Streaming
Sony: Set "Anamorphic Lens" to 1.24x and "Aspect" to V-Stretch.
JVC: Set "Anamorphic Lens" to Anamorphic C.
Note: 8% of content is cropped at the top and bottom.
Smaller Content, 16:9 TV and Gaming
Sony: Set "Anamorphic Lens" to 1.24x and "Aspect" to Normal. 16:9 projectors must be zoomed down to see full height then zoomed back up for other modes.
JVC: Set "Anamorphic Lens" to Off.
Note: Content appears 25% horizontally stretched. Optional: Set Sony "Aspect" to Squeeze or JVC "Anamorphic Lens" to Anamorphic D to increase black sidebars and to remove the stretched appearance.
The following viewing modes and projector settings are typical for most content to best fill a cinema-format screen when using the projector model and screen format selected in the Lens Selector. Other modes may be available with each projector. Treat the content as having a lower aspect ratio if optional language subtitles are desired.
Sony 16:9 Projectors with a DCR lens and a 2.25:1 Multimedia Format Screen
2.4:1 Movies and Streaming
Sony: Set "Anamorphic Lens" to 1.32x and "Aspect" to V-Stretch.
Note: Content appears 6.7% vertically stretched.
2.0:1 Streaming
Sony: Set "Anamorphic Lens" to 1.24x and "Aspect" to V-Stretch.
Note: 5% of content is cropped at the top and bottom.
Smaller Content, 16:9 TV and Gaming
Sony: Set "Anamorphic Lens" to 1.24x and "Aspect" to Normal. No zoom adjustment required.
Note: Content appears 25% horizontally stretched. Optional: Set Sony "Aspect" to Squeeze to add black sidebars to remove the stretched appearance.
The following viewing modes and projector settings are typical for most content to best fill a cinema-format screen when using the projector model and screen format selected in the Lens Selector. Other modes may be available with each projector. Treat the content as having a lower aspect ratio if optional language subtitles are desired.
Digital Projection, Epson and Benq Projectors with a CDR lens and a 2.4:1 Cinema Format Screen
2.4:1 Movies and Streaming
Digital Projection: Set "Aspect" to TheaterScope.
Epson: Set "Aspect" to Anamorphic Wide.
Benq: Set "Aspect" to Anamorphic 2.4:1.
2.0:1 Streaming
Digital Projection: Set "Aspect" to TheaterScope.
Epson: Set "Aspect" to Anamorphic Wide.
Benq: Set "Aspect" to Anamorphic 2.4:1.
Note: 8% of content is cropped at the top and bottom.
Smaller Content, 16:9 TV and Gaming
Digital Projection: Set "Aspect" to Normal (or 4:3 Narrow to remove the 33% horizontal stretch by adding wide sidebars)
Epson: Set "Aspect" to Auto (or Horizontal Squeeze to remove the 33% horizontal stretch by adding wide sidebars).
Benq: Set "Aspect" to 16:9 (or Anamorphic 16:9 to remove the 33% horizontal stretch by adding wide sidebars).
